Other operating systems may work, but have not been fully tested.
#NUKE 13 NEW FEATURES UPGRADE#
Note:The VFX Platform 2020 upgrade includes library versions that are only compatible with CentOS 7.4, or later. macOS Catalina (10.15.x) or macOS Big Sur (11.x).Note:Installing Nuke 13.0 takes significantly longer than Nuke 12.2 builds, particularly on Windows OS, due to the upgrade to Python 3 and the addition of the PyTorch library.
I would encourage all VFX artists to stay flexible, seek out information from multiple sources, and follow the standards set by the particular studio, project, or supervisor you working for.Release Notes for Nuke and Hiero 13.0v10 Release DateĢ3 August 2022 Qualified Operating Systems I'll admit I can be unorthodox in my technique and a little obtuse with my explanations, but I firmly believe there are multiple approaches to every VFX problem. Changing pattern on first frame and retracking from start when tracker slips at frame 200 or something is kind of useless, because what you actually want is to capture is new pattern, not just different crop of old one. Capturing new pattern is necessary when match error goes above set threshold, usually due to pattern change from perspective etc or due to lighting changes. This gives an idea of necessary search region size.
If you delete forward track that is off and step to next frame, you see how far the pattern jumps. Tracker falls off for two reasons only: searchable pattern is outside of search region or it doesn't find match below error threshold (which is in the end the reason in first case too). There are buttons in tracker ui for both deleting part of track forward or backward from current frame and for removing keyframes. Find the last good frame, delete forward (or backward if doing reverse) track that is off, adjust pattern or search region and track on from that point. If you want to adjust tracker, you don't need to set keyframes on first frame if you already successfully tracked part of shot.
#NUKE 13 NEW FEATURES PRO#
Lee is a world-renowned expert in the video effects field, and has written several popular high-end software books, and taught at the Gnomon School of Visual Effects in Hollywood.Ġ3: Shot A : Transform tracking adjustingĠ9: Shot B : Applying the planar tracking dataġ2: Shot C : Adding additional track pointsġ3: Shot C : Creating a small matte paintingġ4: Shot C : Applying the corner pin dataġ6: Shot D : Planar tracking with mocha pro pluginġ9: Shot D : Exporting and importing the meshĢ1: Shot D : Creating additional matte paintingsĢ2: Shot D : Adding the first matte paintingĢ5: Shot E : Adding different textures to the meshīecome a premium member and get instant access to all the courses and content on Lowepost.
Lee Lanier has created visual effects on numerous features films for Walt Disney Studios and PDI/DreamWorks. Nuke and Mocha Pro is the perfect combination for all compositing tasks and Lee will teach you the techniques you need to be confident to solve the most complex shots. The course is easy to follow and designed for both beginners and professionals.
#NUKE 13 NEW FEATURES HOW TO#
You will learn how to add digital make-up, tattoos or scars to organic surfaces such as rippling skin, reflections to curved surfaces, and elements to complex surfaces such as flapping flags or undulating clothes.
This course is about motion tracking complex surfaces in Nuke 13 and Mocha Pro, and taught by master trainer Lee Lanier.
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